Scale your editing team without hiring.
Kliker places a dedicated editor inside your production company. You direct the creative. We handle sourcing, vetting, onboarding, and replacement.
Capacity in weeks. No payroll. No freelancer roulette.
Every project,
measured by its results
No handoffs, no account managers. The people who pitch your project are the people who ship it.
Production companies trust Kliker to carry the load.
Editors matched to your team, not your task list
Onboarded in days, not quarters
A guaranteed replacement if the fit is ever wrong
From overloaded to covered in four steps.
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A call about your work, your clients, and where the pressure sits.
We match you with an editor.
Not a name from a database. An editor whose craft and pace fit how you operate, introduced before anything begins.
We onboard them into your workflow.
Your tools, your conventions, your standards. We manage the ramp so you direct work instead of running HR.
We match you with an editor.
Not a name from a database. An editor whose craft and pace fit how you operate, introduced before anything begins.
Built for production companies, not for everyone.
Most staffing companies place anyone, anywhere, for anything. We work in one industry, and we understand it. We know what a 48-hour turnaround does to an edit suite, and that "one more revision" is never just one.
Freelancers fill a gap.
They don't build capacity.
A full-time hire is a permanent answer to a moving problem.
Simple pricing. Serious results.
Extra capacity for high-volume, fast-turnaround work.
- Dedicated video editor
- Up to 20 hours/week capacity
- Unlimited requests
- Unlimited revisions
- Slack communication
- 7-day onboarding
- Editor replacement guarantee
- No recruiting, payroll, or benefits to manage
A senior editor who owns high-stakes projects end to end.
- Dedicated video editor
- Up to 20 hours/week capacity
- Unlimited requests
- Unlimited revisions
- Slack communication
- 7-day onboarding
- Editor replacement guarantee
- No recruiting, payroll, or benefits to manage
Submit as many requests as you like — your queue is never capped. Your dedicated editor works through them one or two at a time, prioritized by capacity and project complexity. As each one is delivered, the next moves up.
Two levels. Matched to the work,
not ranked by it.
Not every edit carries the same weight. Some work needs volume and speed. Some work carries your name. We staff for both, and we help you place the right editor against the right work.
Editor
Built for pace. An Editor handles the steady, high-volume work that keeps your output flowing: social cuts, podcast episodes, short-form, and fast-turnaround edits against an established brief. Give them the format and the footage, and they keep the pipeline moving without the cost of another full-time hire.
Best when the work is defined and the priority is throughput.
Senior Editor
Built for the work that represents you. A Senior Editor takes a project from raw footage to final cut with minimal direction, making story and creative calls along the way rather than waiting on a brief. This is who you place on ads, branded content, documentaries, and complex narrative edits, the pieces where the edit is the difference between good and exceptional.
Best when the work is high-stakes and the priority is craft.
Most studios run both.
An Editor absorbing daily volume, a Senior Editor owning the flagship work. If you are not sure where a project sits, we will help you match it on a short call.
Find the right fit before you start.
Work with a real editor
before you commit.
Two weeks of real production work, your workflow, your briefs. The trial fee is credited toward your first month if you continue.
For high-volume, fast-turnaround work: social, podcasts, short-form, and clips.
- A dedicated editor, matched to your work
- Your actual workflow, tools, and briefs
- The same editor continues if you stay
- Fee credited 100% toward your first month
- Dedicated video editor
- Up to 20 hours/week capacity
- Unlimited requests
- Unlimited revisions
- 100% credited toward your first month if you continue
For high-stakes work: ads, branded content, documentaries, and complex narrative edits.
- A dedicated editor, matched to your work
- Your actual workflow, tools, and briefs
- The same editor continues if you stay
- Fee credited 100% toward your first month
- Dedicated video editor
- Up to 20 hours/week capacity
- Unlimited requests
- Unlimited revisions
- 100% credited toward your first month if you continue
We match you to the right editor on a short call. The trial is designed to remove hiring risk, not to discount editing.
Try the editor before you commit to the hire.
Hiring an editor is a bet.
You screen reels, run interviews, onboard, and only weeks in do you find out whether the work holds up under your real deadlines. If it doesn't, you have already spent the time and the payroll.
Our trial removes that bet.
For two weeks, a dedicated Kliker editor works on your real production work, in your actual workflow, against your real briefs. Not a test task. Not a sample edit. The same conditions the engagement would run under, so what you see in the trial is exactly what you get after it.
If it works, nothing restarts.
The same editor keeps going straight into your monthly plan, already up to speed on your projects and your standards. If it doesn't, you walk, having risked two weeks instead of a hire.
Trial Fee Credited
The trial fee is credited in full toward your first month, so continuing costs you nothing extra. It exists for one reason: to let you prove the fit on real work before you commit to it.
Let's talk
Tell us about your studio and the work piling up. We'll pair you with a dedicated editor who learns your standards and gets sharper every month.
Expect a reply within one business day to set up a call about your capacity.